Judging from their name, Suicidal Tendencies were never afraid of a little controversy. Formed in Venice, CA, during the early '80s, the group's leader from the beginning was outspoken vocalist Mike Muir. The outfit specialized in vicious hardcore early on -- building a huge following among skateboarders, lending a major hand in the creation of skatepunk -- before turning their focus eventually to thrash metal. Early on, the group (whose original lineup included Muir, guitarist Grant Estes, bassist Louiche Mayorga, and drummer Amery Smith) found it increasingly difficult to book shows, due to rumors of its members' affiliation with local gangs and consistent violence at their performances. The underground buzz regarding Suicidal Tendencies grew too loud for labels to ignore though, as the quartet signed on with the indie label Frontier; issuing Muir and company's classic self-titled debut in 1983. The album quickly became the best-selling hardcore album up to that point; its best-known track, "Institutionalized," was one of the first hardcore punk videos to receive substantial airplay on MTV, and was eventually used in the Emilio Estevez cult classic movie Repo Man, as well as in an episode for the hit TV show Miami Vice (for which the group made a cameo appearance).
Suicidal Tendencies proved influential for future speed/thrash metal bands, but despite its early success, the quartet's reputation preceded them, as no other record label was willing to take them on (in addition, Los Angeles banned the group from playing around this time, lasting until the early '90s). Not much was heard from the group for several years afterward (leading many to believe that Suicidal had broken up), but Muir and company eventually found a home with Caroline Records. By this time, half of the original lineup had left; Muir and Mayorga were the only holdovers, while guitarist Rocky George and drummer R.J. Herrera rounded out the group. 1987 saw the release of Suicidal's sophomore release, Join the Army, which spawned another popular skatepunk anthem, "Possessed to Skate," as more and more metal heads began to be spotted in Suicidal's audience. Soon after, Suicidal was finally offered a major-label contract (with Epic), as another lineup change occurred: Mayorga exited the band, while newcomer Bob Heathcote took his spot; and a second guitarist, Mike Clark, was added as well. This Suicidal lineup's first album together, 1988's How Will I Laugh Tomorrow When I Can't Even Smile Today, showed that their transformation from hardcore to heavy metal was now complete, as did a compilation of two earlier EPs, 1989's Controlled by Hatred/Feel Like Shit...Dj Vu.
Suicidal's first release of the new decade, 1990's Lights, Camera, Revolution, was another success; its video for the explosive "You Can't Bring Me Down" received repeated airings on MTV's Headbanger's Ball program, while the album (in addition to the Controlled by Hatred comp) would be certified gold in the U.S. a few years later. The release also signaled the arrival of new bassist Robert Trujillo, whose penchant for funk added a new element to the group's sound. The group tried to broaden their audience even further by opening a string of arena shows for prog-metallists Queensrche during the summer of 1991. Their next release, 1992's The Art of Rebellion, proved to be one of Suicidal's most musically experimental albums of their career. Muir and Trujillo also teamed up around this time for a funk metal side project, Infectious Grooves (including several other participants, such as Jane's Addiction drummer Stephen Perkins) and issued a debut release, The Plague That Makes Your Booty Move. Upset that the group's classic debut had been out of print for several years by this point, Muir decided to re-record the entire record with Suicidal's '90s lineup under the title of Still Cyco After All These Years.
But after one more release, 1994's Suicidal for Life, Suicidal Tendencies decided to hang it up. A pair of compilations were issued in 1997: a best-of set, Prime Cuts, plus Friends & Family. Muir and Trujillo continued to issue further Infectious Grooves releases (Sarsippius' Ark and Groove Family Cyco), in addition to Muir pursuing a solo career under the alias of Cyco Miko (Lost My Brain Once Again) and Trujillo touring and recording as part of Ozzy Osbourne's solo band (appearing on Osbourne's 2001 release, Down to Earth). Muir formed a new version of Suicidal Tendencies in the late '90s (with Clark being the only other familiar face), resulting in such further studio releases as 1999's Freedumb and 2000's Free Your Soul and Save My Mind. Muir and Trujillo joined forces once more for a fourth Infectious Grooves studio release in 2000, Mas Borracho; while another Cyco Miko release surfaced, Schizophrenic Born Again Problem Child, along with a follow-up up to their earlier compilation, Friends & Family, Vol. 2. Now the band will be back with their new album soon......
LIFE OF AGONY, a name not easily forgotten. There was always something unique and interesting about this band that has kept fans enthralled for over a decade. Whether it was the intensity of their live performances or the haunting melodies & lyrical content, this group radiated a passion and emotion that struck a chord in the hearts of misunderstood youth all over the world. Perhaps, it was the underlying message of strength, hidden within the group's tales of despair that made such an impact on people. For most listeners, understanding that the songs came from a genuine place, based on actual experiences made the message really hit home, that they were not alone.
New York's crossover legends LIFE OF AGONY spawned in the summer of 1989, tearing through the underground scene with an undeterred aggression, obtaining a loyal and devoted cult audience in the process. The outfit caught Roadrunner Record's eye and the band quickly signed to the independent label. The band recruited longtime friend and producer Josh Silver (of the platinum-selling goth/metal act Type O Negative) to guide them, creating the now classic, debut album, 1993's "River Runs Red." The band toured relentlessly for years building a die-hard fanbase. With each following record, 1995's "Ugly" and 1997's "Soul Searching Sun" the group seemed to morph and evolve, using different approaches and textures while never losing sight of the distinct elements that made them who they were. LOA toured with the likes of Ozzy Osbourne, Korn, Limp Bizkit, System of a Down and Incubus with great success in support of their 3 studio efforts.
The LOA band members had been good friends since early childhood, and remained as closely knit as a family. Like all families do, they shared internal problems and conflicts from time to time. Unfortunately, the group ended up imploding over a series of decisions involving member changes, personal issues and differences in musical direction. Original drummer Sal Abruscato exited in 1995 and lead vocalist Keith Caputo left the group in 1997. Remaining members, guitarist Joey Z and bassist Alan Robert, struggled to rekindle the fire that once drove the group by collaborating with new players, but finally decided to call it quits in 1999.
For just two nights, January 3rd and 4th of 2003, the magic happened again. LOA announced a one-time only reunion show, with all four original members together again on stage for the first time since 1995. After the first date sold out in under 20 minutes, a second show was announced to ensure that more fans would get a chance to witness the historic occasion. Ask bassist Alan Robert his thoughts on the reunion and he will tell you, "After all we've been through together, it's apparent that we have a rare and special chemistry that cannot be duplicated." Guitarist Joey Z states, "We always did what we did because we are fans of the music first." LIFE OF AGONY was a cornerstone of the New York heavy music scene, respected by peers and fans alike. The group cites collective influences as diverse as Radiohead, Metallica, Pink Floyd, and Black Sabbath. While you can hear those various influences in LIFE OF AGONY, you can hear touches of LOA in some of today's more popular bands.
January 3rd & 4th 2003, not only marked a turning point for this influential band, but their reunion shows have opened the door to a whole new chapter in the LOA saga. LIFE OF AGONY, who have long been considered, as gone but not forgotten, are back as a force to be reckoned with. The future of the group looks bright, as the band members are very excited to be playing and writing together again. The problems that the band experienced which lead to their demise seem to be rectified. LOA have been toured throughout 2003-4 in support of their SPV Records double-live album/DVD release "River Runs Again: Live 2003," and hit the studio to record their full-length studio album, Broken Valley at the end of 2004.
The latest LIFE OF AGONY album was released through Epic Records on June 14th 2005. The record features tracks such as "Love To Let You Down", "The Day He Died" and Wicked Ways, commemorating their triumphant return.
To learn more or to donate, visit www.myspace.com/builtonrespect or www.BuiltOnRespect.com. New York had the Ramones. Los Angeles has PENNYWISE, the most significant hardcore band to emerge from SoCal punk’s second wave. As it celebrates it 20th anniversary, the Hermosa Beach band is doing things its own way, taking on a brave new world by linking up with MySpace Records and offering its latest album, REASON TO BELIEVE free to fans for two weeks. Starting on March 25, P-Dub fans can grab a high-quality download of the Cameron Webb-produced, 14-track album, arguably the band’s fiercest record in a decade. Not surprising from a band that has always forged its own destiny, it’s an Internet first--marking the first time a U.S. record label has provided an artist with the opportunity to offer a new album free of charge and the first time MySpace has offered a full album download with a worldwide push.
PENNYWISE formed in 1988, when punk couldn’t be less popular and hair bands were a sign o’ the times. Its four members quickly developed a style entirely their own--a tsunami of California hardcore, melodic surf punk and optimistic anthems that went against the seek-and-destroy ethos of its era. PENNYWISE garnered a nationwide following through constant touring--they’ve done the Vans Warped Tour so many times they’ve got permanent road rash--as well as numerous snowboard, skate and surf videos. After nine albums, PENNYWISE is best-known for its pounding rant “Fuck Authority,” searing soul-searcher “Alien,” and their ode to brotherhood, “Bro Hymn,” an autobiographical song that pays tribute to its founding bass player, Jason Thirsk, who committed suicide in 1996. Currently, the new single “The Western World” is the most requested song on KROQ 106.7, L.A.’s No. 1 modern rock station and already in heavy rotation.
Despite the early loss of Thirsk, the union of vocalist JIM LINDBERG, guitarist FLETCHER DRAGGE and drummer BYRON McMACKIN, high school friends from Hermosa, ran too deep to quit while they were ahead and they signed on bassist RANDY BRADBURY and continued putting out albums that went straight for the American jugular--politically-charged, culturally relevant, unflinchingly honest and consummately independent.
Among the band’s studio albums are its eponymous Epitaph debut (1991) and 1993’s Unknown Road, which revealed the full potency of what they had to offer. Before recording its third album in early 1995, PENNYWISE was hit up by the majors. It was, after all, hot on the heels of the “year punk broke,” but the band stayed true to its roots and remained on SoCal’s independent Epitaph Records. The resulting album, About Time, remains till this day one of the greatest punk records of all time. By 1996, when PENNYWISE was recording its fourth album, Thirsk took time off to deal with alcohol addiction but tragically, he never came back. He died July 29, 1996, eight years after the band’s inception. The albums that followed--Full Circle (1997), Straight Ahead (1999), Land of the Free (2001), From the Ashes 2003 and The Fuse (2005)--revealed a band that just got harder and more political over time, as the world of music got softer and less interested.
With REASON TO BELIEVE, hardcore fans and newcomers alike will see first hand that punk bands may come and go, but Pennywise is forever.
Authority Zero originated in the sunny streets of Mesa, AZ in the the summer of 1994. Originally made up of Jason DeVore (vocals), Bill Marcks (guitar/vocals), Jeremy Wood (bass/vocals), and Jim Wilcox (drums), the four comprised the exotic punk sound that became Authority Zero. Initially starting off as a five-piece with rhythm guitarist Jerry Douglas, they soon became a four piece after Douglas moved on in 1999 to pursue service in the Air Force, though remained an integral part of the Authority Zero family. Over the course of the '90s, the band eagerly pushed its sound, playing countless house parties, colleges, and club shows in and around Arizona. Their live show and energy on stage quickly drew comparisons to that of Rage Against the Machine, and the local independent record store Zia Records caught on. In 2001, Zia issued Authority Zero's debut, self-titled EP " Patches In Time ". College radio, as well as main local Indie station The Edge 106.3 immediately jumped on the band, as the heavy drive of "One More Minute" and "Sky's the Limit" became moderate hits played in heavy rotation. That same year, Authority Zero scaled back on the riveting metal-like sound for structured hard rock that accented the band's multi-cultural backgrounds and diverse musical tastes. Atlantic's label sibling Lava signed Authority Zero within months of the Authority Zero EP becoming Zia's best-selling release. The band's full-length debut, A Passage in Time , appeared in fall 2002, containing nods to influences like Bad Religion , Dick Dale , Manu Chao , and Sublime . Tours with Guttermouth and H2O followed, spending time on the Warped Tour as well, and as the word-of-mouth buzz continued to spread, the band found itself having to play local shows under various alias in order to stay close to their hometown scene. Writing their next album in the span of a month, the band returned in 2004 with the culturally diverse and Latin-flavored , produced by Ryan Greene ( Lagwagon , Strung Out ). Subsequent touring and their deal with Lava done, the live acoustic Rhythm and Booze appeared in June 2006 on Suburban Noize. Authority Zero returned in late January 2007 with the faster skatepunk sounds of , again with production by Greene during which time Wood exited and the band. The group carried on with a temporary replacement before bringing in old friend from the Arizona music scene Dean Farmer who became the permanent bassist to date. In late fall of 2008, original guitarist William Marcks also decided it was time for him to retire due to the lack of time and ability to focus on family as well as to further his education. It was then that Authority Zero brought in another old time friend and fellow local AZ musician Zach Vogel on lead guitar. Through ups and downs, trial and error, and above all the desire to succeed and play to their dedicated friends and fans throughout the world, Authority Zero has overcome and pressed on with a vengance. With the power house four piece re-established, and having just having returned from a west coast tour with So-Cal punk legends Pennywise, they are gearing up to hit the road once again for the Jagermeifter tour featuring Pennywise and Island Reggae Rock outfit Pepper this Spring of 09'. More determined than ever, Authority Zero is back in the studio hammering away on their fifth full length album which is set for release in the fall of 09'. Authority Zero having been through hell and high water, is in full force and ready to take on the world.
Dog Eat Dog made its big breakthrough in 1994 with the hit single No Fronts and the album All Boro Kings. The story behind Dog Eat Dog started a little earlier though...
Dog Eat Dog has actually been around since 1990, when Dave Neabore and Sean Kilkenny decided to form a band of their own after previously playing in another band called Mucky Pup. A short while later Dave and Sean were accompanied by John Connor who was to act as the voice of the band and Dan Nastasi, who would play the second guitar. Besides these four guys, Dog Eat Dog went through a whole list of drummers, before finally being joined by Brandon Finley, who remains the drummer of the band today.
In 1993, after signing with Roadrunner Records, Dog Eat Dog released their first EP called Warrant. The EP was, as a joke, named after the band Warrant, who had just released an album called Dog Eat Dog. The release of the Warrant EP made it possible for the band to tour the Eastcoast of the US and their first overseas tour, supporting the Bad Brains in the U.K. and 7 Seconds & Big Drill Car in Europe.
Things really started rolling with the release of the All Boro Kings album in 1994. After the release of this successful album, which eventually sold more than 500,000 copies, Dog Eat Dog went for a second European tour supporting Biohazard together with Downset. Besides the hit single No Fronts the album featured classic Dog Eat Dog songs, such as Who's the King?, Pull My Finger and If These Are The Good Times. The album and hit single, produced by the late Jam Master Jay, resulted in Dog Eat Dog winning an MTV Europe video music award in 1995 for breakthrough artist, beating Alanis Morisette, Portishead and Weezer in the process.
In between touring just about the whole world, Dog Eat Dog went back into the studio in 1996 to record their second full length album. Play Games as it was named, saw them working together with such esteemed artists as The RZA from The Wutang Clan and Ronnie James Dio from Black Sabbath. The new album contained famous tracks like Rocky, Isms and Step Right In. With the release of Play Games, Dog Eat Dog went on doing what they do best: touring and playing live shows! During this very successful time, they found themselves playing with bands such as Rage Against The Machine, No Doubt, Sepultura, as well as HUGE acts like Ozzy, KISS, and Metallica.
In 1999, after three years of touring, Dog Eat Dog went back into the recording studio to make their third album Amped. The album contained the hit single Expect The Unexpected as well as other popular songs, such as Get Up and Whateverman. This third album saw the band trying out new music styles, including reggae and funk mixed with hip hop and punk. A short while after the release of the first single, Dog Eat Dog split with their record label, Roadrunner Records, having been disappointed by their support of the band and the new album.
Never a band that gives up, Dog Eat Dog continued doing what they do best, playing live. From 1999 until 2004, Dog Eat Dog toured through Europe and Asia, with several tours each year. So far the band has played in 38 countries and counting! In 2006, the band released their fourth album. The new CD, titled "Walk With Me", is out now on Wanted Records. Dog Eat Dog are playing the new songs, such as M.I.L.F., ESB, Walk With Me and Undivided along with all their classic hits at European festivals and club dates this Spring / Summer 2008. Dog Eat Dog is back, so Expect the Unexpected!
The Soulfly tribe is once again on the warpath.
Soulfly's sixth offering for Roadrunner Records, Conquer, may very well be the musical equivalent of the movie Braveheart. The songs – much like the warriors in the film - channel raw, unbridled rage through a cacophony of thrash guitars, infectious grooves, tribal polyrhythms and Max Cavalera’s unmistakable, thunderous roar. On this record, Soulfly unleash a metallic mayhem unlike anything they’ve done previously. Conquer shifts from unrelenting, precise speed metal to slow, brooding doom. Marc Rizzo’s lead guitar rips with the precision of a smart bomb, while Bobby Burns grinds out volatile, chest-caving bass lines. Drummer Joe Nunez crushes behind the kit, forging a rhythmic background for all-out sonic war. Once again, it’s the legendary Max Cavalera who stands at the eye of the storm, uniting the musical tribe and acting as its unofficial leader. His voice and guitar command the tribe into battle with each line and riff. Grab your war paint and prepare for the onslaught.
Since their Gold-certified, self-titled debut in 1997, Soulfly have remained one of metal’s most consistently brutal outfits. From the moment Max Cavalera left Sepultura to form Soulfly, he’s remained prolific. Four critically acclaimed albums and numerous world tours followed Soulfly’s now-classic debut. In 2007, Max once again partnered with his brother Iggor in Cavalera Conspiracy, releasing Inflikted in 2008 while Soulfly wrote and recorded Conquer. Produced by Max and mixed by Andy Sneap (Machine Head, Arch Enemy), Conquer spans a violent spectrum. Max comments, “After Cavalera Conspiracy, I wanted to write a stronger, uncompromised statement with Soulfly. What I [did] on this album is what I was aiming for. This is the Soulfly album that I’ve been trying to make for a long time.” That’s evident from the calculated rage and bludgeoning grooves that define songs like “Enemy Ghost” and “Rough.” With Conquer, Soulfly take no prisoners. Max explains, “It’s definitely Soulfly’s most battle-ready record by far. The vibe reminds me of movies like Gladiator and 300. It comes from a completely different place.” The assault kicks off from the first note of “Blood Fire War Hate”, and it doesn’t stop until the end of closing instrumental, “Soulfly VI”, which is a time-honored tradition the marks the close of each Soulfly album. Starting with “Blood Fire War Hate”, Max made a conscious decision to come out of the gates with all guns blazing, proclaiming, "I'm excited to open the record with a fast song. Usually Soulfly albums begin mid-tempo, but this reminds me of Beneath the Remains. This song also has one of the biggest hooks I’ve ever done. I can close my eyes and picture huge festival crowds singing it. When the fast part comes in, it’s just war.”
Soulfly’s previous albums featured guest appearances by notables, including Chino Moreno of Deftones, Sean Lennon, and Slipknot's Corey Taylor over the years. In the spirit of that collaborative tradition, Conquer sees Max with Throwdown’s Dave Peters on the standout track, “Unleash”, and with Morbid Angel’s David Vincent on “Blood Fire War Hate.” On “Unleash”, Peters and Max create a corrosive chorus that isn’t easily forgotten. Max says, “It’s the closest thing I’ve done to Pantera. Dave put some killer lyrics to the music. The fast part at the end is my favorite part on the album.” Firing off a throat-slicing riff and catchy hook, “Unleash” impacts like a wrecking ball. About working with underground metal hero Vincent, Max exclaims, “His screaming on that song was off the wall! To work with David was a trip. The song’s a full assault, and it feels really natural. It’s got that uncompromising attitude.”
Conquer’s cover artwork inspired the title and the picture holds a special significance for Max. “Usually, album titles are inspired by something else, like a movie,” he reveals. “The first sketch the artist sent me was amazing. It depicted this crazy guy with six arms holding six weapons. Each weapon represented one of our records. When I got the image, the word Conquer just came to me.” More importantly, Conquer is a personal statement for Max and of course, has a deeper meaning meant to be explored by the listener. “To me, it’s not about conquering the world. My statement on the record is conquering fear. If you conquer your fear, you conquer life and death. You’re truly free when you conquer your fear. So that’s why this name means so much,” he finishes.
Soulfly is truly a world music-inspired collective and the writing and recording process often sees Cavalera globetrotting for atypical inspiration. For Soulfly’s fifth album, Dark Ages, saw Max travel to five locations to record, but for Conquer, a trip to Egypt was all he needed. He says, “I like to mix cultures. The other Soulfly albums were more Eastern European-flavored. Sepultura was more Brazilian. Egypt has a big chunk of influence on Conquer. We visited ‘The City of the Dead’ while we were in Egypt. It’s a cemetery where families still live near their dead. That was crazy, creepy and wild. I didn’t know the Cairo trip was going to affect the album as much as it did.” The eerie, tribal outro of “For Those About to Rot” was a direct result of the trip, as Max recorded it live by the Nile. It’s a strange transition that heightens the musical tension. “By the Nile River, there was this crazy gypsy band playing killer music,” Cavalera recalls. “I happened to have my recorder so I recorded them and made an interlude out of their performance. It felt so authentic to have that outro—like old Sepultura. I’d rather the record sounds live than use a sound library from the Internet. That outro is subtle. I've been making records for so long, and I finally found the perfect balance between brutality and experimentation.” Therefore, Conquer is a truly organic sonic experience.
Max also sculpted a head-spinning trip into psychedelic metal territory with “Touching the Void”. Stretching past the seven-minute mark, the song oozes classic Sabbath sludge, while incorporating entrancing dub flourishes. For Max, that track’s extremely important. “Honestly, it’s a thank you to Black Sabbath for being Black Sabbath. It’s slow doom metal,” he says. On the track, Max also collaborated with French dub artist Fedayi Pacha. Of the experience, Max says, “Fedayi makes dark, really heavy dub—completely different from commercial dub. He did the outro for ‘Touching the Void,’ and he played a lot of weird instruments. Those little things definitely make this song special when you listen to it.”
In the end, Conquer, just like every note of music he’s ever produced, comes from Cavalera’s heart. He eschews studio trickery and computerized flourishes in favor of straightforward instrumentation and real world experimentation. “I do this for the love of music,” he says. “We could use the tools of the market to make a commercial record and sell more, but I wouldn’t be as happy inside. I made the choice, and we aren’t going down the easy road. We’re going down the fucked up road, but that’s the road that we know.”
With that sincerity, there’s no doubt that Max and company will conquer all roads ahead.
After 5 years of struggling and making some demo-tapes, in 1995 Discipline signed to Lost&Found Records from Germany.
The 1st release was the 5-track “Stompin’ Crew EP” in the summer of 1995. This one was followed up by their 1st album “Guilty as Charged” in 1996. The reactions to this dynamite Streetcore-album were overwhelmingly positive and the guys did a lot of shows, including a european tour with The Business to promote this album all over Europe.
Early 1998 the “Bulldog Style”-album was released, also by L&F Records. On this record Discipline already tried to combine the best of both worlds: Oi meets Hardcore. This album was a huge success again in the underground scene. Through hard work, the band gained itself a reputation of doing very energetic liveshows.
But like always, there was also another side to the coin……The amount of violence and fights at shows was growing and after a while Discipline almost got crucified for that.
Luckily, after some time the air cleared and the negative publicity stopped.
Unfortunately the relationship between band and recordlabel went downhill. The band decided to leave and signed to I Scream Records from Belgium.
The first release on the new label was the “Nice Boys Finish last” album in 1999. With this release Discipline definitely earned herself a place at the top of the entire European Street Rock -scene. To promote this album Discipline did a few European tours again with the likes of Agnostic Front, Dropkick Murphy’s and US Bombs.
These Dutch thugs also managed to get this album released in the US by Too Damn Hype Records.
This record was followed by the “Love thy Neighbor” album towards the end of 2000. One month earlier the “Hooligans Heaven EP” was already released. This song turned out to be a true ‘hit-single’ in the underground-scene and to the Hardcore football crowd.
To promote the album, Discipline was part of the “UNITY-Tour 2000”, with the likes of Agnostic Front, Ignite, Shutdown and The Forgotten.
The summer of 2003 saw the release of the “Everywhere we Go” single. This song is another football-anthem and has proven to be a real classic by now!
A few months later 2 albums were released at almost the same time. First there was the release of the live-split album with long time brothers Agnostic Front from New York City and a few weeks later the long-awaited new full-length album “Saints & Sinners”.
To promote this album the boys were part of the first Eastpak Resistance tour in Europe and did their first US-tour with the likes of Dropkick Murphy’s, AF, Hatebreed and Murphy’s Law.
Early 2004 the lads hit the studio again to record 3 brandnew songs and 3 cover-versions for the split-CD with longtime mates Argy Bargy.
These new songs are the best they have ever done: 6 hardhitting, melodic songs with aggro and a hardcore beat!! “100% Thug Rock” was released through Captain Oi! records in march 2004. One of the new songs titled “Red & White Army” is already the Football-Anthem for 2004.
To promote this latest release the boys played at all major summer-events again and did many headlining clubshows.
Through lots of touring and doing shows, Discipline has earned herself a large crowd of loyal supporters all over Europe and the US. Besides having done many headlining tours, the band has also shared the stage with the likes of Agnostic Front, The Business, Cock Sparrer, Madball, Sick of it All, Dropkick Murphy’s, Cockney Rejects, Biohazard and Ignite. The last few years they managed to play at all the major European festivals like Dynamo Open Air, Graspop, Holidays in the Sun, With Full Force, Pressure-Fest, Punk&Disorderly, Vans Warped Tour and the European HC Parties!!
At the moment Discipline are writing new songs for their upcoming new album. European release-date: May 9th 2005.
Also new dates are being booked for 2005 including a 4 dates Finland-tour, a Spanish tour, Italian dates and our first visit ever to Russia and Bulgaria! Make sure to check our website for updates!!
NO SURRENDER!!
Discography:
Stompin’ Crew EP 7”single (1996, L&F)
Guilty as Charged CD (1996, L&F)
Stompin’ Crew EP MCD (1998, L&F)
Bulldog Style CD (1998, L&F)
Skinhead & Proud CD (1999, L&F)
Nice Boys Finish Last CD (1999, ISR)
Hooligans Heaven EP CDS (2000, ISR)
Love thy Neighbor CD (2000, ISR)
Everywhere we Go CDS (2002, ISR)
Working Class Heroes (live) CD (2002, ISR)
Saints & Sinners CD (2002, ISR)
Rejects of Society (Best of) CD (2003, Captain Oi!)
100% Thug Rock (split) CD (2004, Captain Oi!)
Discipline has also contributed exclusive tracks to compilations like “The Dutch HC tribute to the real Oi”, “Worldwide tribute to the real OI”, “Respect your Roots”. All I Scream Records full-length releases have also been released on vinyl by german Knock Out Records.
